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The epochs of Enlightenment and Weimar Classicism as constructs of literary reviews became tricky. The literary discourse itself unearths phenomena of simultaneity which questions the common perfect configuration of heterogeneous epochal buildings. utilizing texts by way of Lessing, Wieland, Herder, Schiller, Goethe, and Moritz, the authors examine how Enlightenment styles of idea are built either in literature and theoretical discourse (aesthetics).

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