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Why do glossy poets quote from dictionaries of their poems? How has the tape recorder replaced the poet's voice? What has buying to do with Gertrude Stein's aesthetics? those and different questions shape the middle of Ghostlier Demarcations, a learn of contemporary poetry as a cloth medium. certainly one of modern most beneficial critics of twentieth-century poetry and poetics, Michael Davidson argues that literary materiality has been ruled through an ideology of modernism, in keeping with the right of the self reliant murals, which has hindered our skill to learn poetry as a socially severe medium. through concentrating on writing as a palimpsest regarding various layers of materiality—from the holograph manuscript to the published book—Davidson exposes smooth poetry's engagement with higher ancient forces. The palimpsest that effects is much less a poem than an arrested level of writing in whose layers will be discerned ghostly lines of different texts.

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