After an introductory bankruptcy that explores Austin's ebook intimately, the 2 following chapters exhibit how Jacques Derrida and Paul de guy in several methods problem Austin's speech act thought regularly and his expulsion of literature in particular. Derrida indicates that literature can't be expelled from speech acts—rather that what he calls "iterability" signifies that any speech act can be literature. De guy asserts that speech act thought contains an intensive dissociation among the cognitive and positing dimensions of language, what Austin calls language's "constative" and "performative" elements. either Derrida and de guy complex new speech act theories that shape the root of latest notions of in charge and potent politico-ethical selection and action.
The fourth bankruptcy explores the position of sturdy emotion in powerful speech acts via a dialogue of passages in Derrida, Wittgenstein, and Austin. the ultimate bankruptcy demonstrates, via shut readings of 3 passages in Proust, the best way speech act thought might be hired in an illuminating means within the exact examining of literary works.
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